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165,442 members
197 posts
  • sigma
    Triber
    2020-08-24

    Test Desc

    0 65
  • sigma
    Triber
    2020-08-10
    • sigma
      sigma https://uat-community.musictribe.com/discussions/1/306020/test-post-9
      • September 1, 2020
    • sigma
      sigma https://uat-community.musictribe.com/discussions/1/306020/test-post-9
      • September 1, 2020
    • sigma
      sigma https://uat-community.musictribe.com/discussions/1/306020/test-post-9
      • September 1, 2020
    • sigma
      sigma https://uat-community.musictribe.com/discussions/1/306020/test-post-9
      • September 1, 2020
    • sigma
      sigma https://uat-community.musictribe.com/discussions/1/306020/test-post-9
      • September 1, 2020
  • QATestAccount
    Newcomer - Level 1
    2020-07-21
  • AMaya
    Newcomer - Level 1
    2020-07-16
    0 45
    • AMaya
      sigma https://uat-community.musictribe.com/discussions/165025/305906/test-video-sample
      • September 1, 2020
      • Test Video Sample
        sigma https://uat-community.musictribe.com/discussions/165025/305906/test-video-sample
        • September 1, 2020
      • Test Video Sample
        sigma testtt
        • September 1, 2020
  • sigma
    Triber
    2020-06-11
    Tst
    1 72
  • powertomi
    Contributor - Level 1
    2020-06-10

    Hi!
    Anyone knows: the channel input level meter in Pro2 has a peak or rms display?

    Thanks.

    0 43
  • __JAG__
    Newcomer - Level 2
    2020-06-08

    Ok just received 4 of the DP48's and updated the firmware this evening. So when in dual mixer mode, when setting the group channel assignments, and channel levels, how do you set them up for each mix A and B? Or are these settings global for both mix A and B? 

    read more...
    0 63
    • __JAG__
      GaryHiggins

      @__JAG__ 


      The sources are the same for both, the mixes of the sources is what can be made different.

      • June 8, 2020
    • __JAG__
      __JAG__

      So the group sources and levels are the same for each, correct? Then you can individually control levels of each group for Mix A and B? That is what I'm seeing. 

      • June 8, 2020
  • Pgrant999
    Newcomer - Level 2
    2020-06-01

    Hello all!  I am fairly new to Digital audio and it's interfaces.  I have recently gone to work at a Church, and I inherited a Midas Pro1 and I am trying to research to see if I can interface the PRO1 via AES50 to the Behringer Ultranet in-ear system (P16, etc..., to be purchased asap).   

    In my research, someone mentioned that they will not natively talk because the PRO1 operates at 96kHz, and the Behringer stuff is 48kHz (I think).  

    So QUESTION IS: what do I need to do to get a route of 16 channels/mixes out to the Berhinger in-system? Hardware converter?  A different in-ear system?  

    HELP!  Any and all is greatly appreciated!

    read more...
    0 55
    • Pgrant999
      GaryHiggins

      @Pgrant999 


      Hello. Besides the 96K clock the p16 system will not work with a Pro1 as it is a proprietary protocol also requiring an ultranet port. The pro1 doesn't have that and the P16 sytems work at 48/44k. So the P16 system is out-unless you get an X32 mixer or a Midas M32, both have the ultranet. If on a tight budget, you might want to look into the P2 monitor devices. They run from an xlr cable connected to a bus output. They are cheap and sound quite good, with the proper cable 2 buses (not sure if you also have a stagebox) can be linked for stereo operation. Otherwise you will need some other form of in ear system most of which can be very expensive. Pro1 is a very nice inheritance however! 


       


      EDIT: I just thought of 1 other possibility. Using a P16I. They accept either adat or analog inputs and then output those to P16. The analog inputs of it are 1/4 in but if you had a way to convert Pro1 ch outs to 1/4 balanced or unbalaced cable, it accepts 16 ch's of analog and then you could connect the P16M's to it.

      • June 1, 2020
    • Pgrant999
      ChaseMcKnight

      Hi @Pgrant999 

      As @GaryHiggins suggested, using a Behringer P16-I and coming out analog of the Pro1 (either rear XLRs or via DL stage box) would be the most affordable option. Integrating an X/M32 over AES50, while a flexible and convenient setup, would require a Klark Teknik Network bridge and expansion card - which is quite an investment if the sole purpose is to integrate with the P16 system.  

      • June 2, 2020
  • weason
    Contributor - Level 1
    2020-06-01

    We are trying to direct record from the M32 to a MAC Air using Pro Presenter.  The DN32 is seen by the MAC, but the volume is low.  Any suggestions on how to increase the output volume?

    0 60
    • weason
      GaryHiggins

      @weason 


      Hello, what tap point are you using? If you use "local" as the source for card out, the gain setting is all you can boost but of course not to the point of distortion. If you change the source of card out using utranet out, out 1-16 or aux out you can then use direct outputs of your ch's at post fader or post eq etc and get some further boost that way.

      • June 1, 2020
    • weason
      weason

      Yes, we are using "local outs".  Routing seems difficult - may not be but it's confusing.  And of course the user guide isn't much help.


      So changing to the Ultranet 1-16 outs is there a way to adjust the overall gain or is it still per chanel?

      • June 1, 2020
  • shadwell
    Contributor - Level 2
    2020-05-29

    hey all , 

    I am really struggling with getting basic signal flow going to and from protools.  I am also trying to use this as front end fro a streaming situation.  I will pay a person with real knowledge to can help me solve this.  I work in tech support at a major university and this kinda stuff never gives me a hard time. 

     

     

     

     

    read more...
    0 113
    • shadwell
      Paul_Vannatto

      Hi Aaron @shadwell ,


      I'm not sure what console you have, since they never made an M32 Rack. The assignments of signals to the DN9630 is done on the Routing, AES50 (A or B) screen in banks of 8. If you want to record the signals directly after the preamps, mirror the Routing, Inputs screen on the appropriate AES50 screen.


       


      For the streaming requirements, it depends on the software used to do that. Many apps only accept USB 1/2 if you are using a Windows OS. If you are using a Mac or linux, you have more flexibility.


       


      For signals from the DN9630 to the console, it depends on how many you want returned. If you want just a stereo return (master out of the DAW), you can assign Card 1-2 to the Aux In Remap (on the Routing, Inputs screen). That will bring those signals to the Aux 1 and 2 channel strips.


       


      If you give us more details of your requirements, we can add more detailed solutions.

      • May 29, 2020
    • shadwell
      shadwell

      Paul @Paul_Vannatto  many thanks,  I meant m32C. my mistake.   I truly appreciate your knowledge and help. I am serious about the payment offer, I feel i am asking a lot and that offering something in return is very important. 


      let me try to say more about these uses: in both of the following situations the klark Teknik DN9630 gets me into the computer from the M32C. 


      The simple one is recording to protools, I'd like to have the option to be able to print the dynamics, eq and FX in the m32C to pro tools tracks.  I mostly do demos at home working quickly is very important.  I hire out the proper recording, mix and master.  The songs come first. 


      The second situation is sending a stereo mix made up of the 8 inputs that come in on the optical card out to the computer for streaming.  right now I am looking at OBS or Eccam as a streaming app to both record and interface with various streaming platforms.   I am on a mac book pro.  


       


       


       


       


       


       


       


       


       


       


       


       


       


       


       


       


       

      • May 29, 2020
    • shadwell
      Paul_Vannatto

      Hi Aaron @shadwell ,


      Thanks for the details. An M32C does change things, since it relies on external inputs/outputs such as stageboxes etc. So I assume you are using a stagebox connected to one of the M32C AES50 ports and the DN9630 connected to the other port. Also if you want to use the channel processing of the M32C (EQ, dynamics, gate, etc.), that changes the routing requirements significantly. It also assumes that you are using the M32-Edit app and not the console display for controlling the console (which is a good thing IMO). If you are attempting to try and do this routing, etc. with the iPad app, don't bother, unless you want to lose more hair than you really want to (and I can't help you, since I don't own any Apple products).


       


      When setting up complex routing, the first thing I do is to layout the interconnectivity mapping. For example, you might have the following ([A] and [B] are the AES50 ports):


      S16 [A] <-> [B] S16 [A] <-> [A] M32C [B] <-> [A] DN9630


      If you mapping is different, it will subsequently change the routing. Since you want the channel strip processing, you will need to first assign the individual channel outputs using the Routing, Out 1-16 and Ultranet screens. There you can assign Direct Chan Out and also change the taps (right clicking the circles) to probably either pre-fader or post-fader. Then you would assign these outputs in banks of 8 to the Routing, AES50 B (if you are using the mapping above) in order to send it to the DN9630.


       


      For streaming, since you have a Macbook Pro, most apps (such as OBS) can probably select the various USB inputs (which are outputs of the DN9630). Most apps default to using USB 1/2 (and Windows users typically are stuck with this default). I switched from Windows to linux in January and also now have more possibilities. 


       


      You mentioned an optical card. What card would that be?


       


       

      • May 29, 2020
    • shadwell
      shadwell

      @Paul_Vannatto 


      I have no stage boxes in this rig. the only analog. i/o is done via the Focusrite Clarett octo pre . https://focusrite.com/en/adat-mic-pre/clarett/clarett-octopre. it has some ad/da functionality.  8 in 8 out  and it talk to the M32c via light pipe , that box for the light pipe card is attached its an x-Adat from Behringer 


      the Klark Teknik DN9630 is connected to the AES50 A port and in turn talks to the computer via USB


      many thanks for your time.  


      Aaron 


       


       


       


       


       


       


       


       


       


       


       

      IMG_2211.jpg
      • May 29, 2020
    • shadwell
      GaryHiggins

      @shadwell 


      Just to add my meager 2 cents. If going straight from from your Adat card to a computer you probably would only need to change your "card out" routing source to P16 or Out 1-16 instead of "Local" Using those routing menu sources allows you to dictate the tap points needed to record full ch processing that can include Gate, Comp, EQ and pre/post fader. (eg P16 ch 1 = Direct out of ch1 post fader etc) Local is pre everything and can't be otherwise. Doing the same post fader for Main L/R as the source for 2 of your recorded ch's will also capture your complete mix The DN9630 should be able to also accommodate the ultranet (or out 1-16) as the source of up to 16 aes50 ch's which should allow the same tap points when using it. 

      • May 29, 2020
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